Online edition of The Official Newsletter of the Jew's Harp Guild - The Pluck-n-Post -

Updated 11/99 - Volume 3 Issue 3 - Fall/Winter 1999

Breaking News!...  The Guest Book and Discussion Group are now functional... (ed,)

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members around
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Contents:

A Word from the Executive Director
J
ANET GOHRING
NAJHF 1999

Them Jaw Harpers
in the "Them Poem" style of Mason Williams. Lyrics: Jules DeGiulio

Pictorial Archive: The Series #6
TRUMP SNAPSHOTS

Scacciapensiers

The Bulletin Board
POST YOUR NOTES

CDs, Playing Tips, Virtuosos, An Evening With Huun Huur Tu, more...

BackBeat
EDITOR'S NOTES
Throat Singers of Tuva

Online Newsletter Archive Index
Previuos Newsletters

 


Janet Gohring JHG Executive Director

A Word from the
Executive Director

by Janet Gohring

September 99 - Fall is in the air and though my thoughts are turning to winter preparations here in the Blue Mountains of Eastern Oregon ... I'm still filled with memories of the 8th annual North American Jew's Harp Festival last month. Once again, the festival was great. First of all, I'd like to thank the 41 people who volunteered and helped out with the festival. I don't have the space to mention each one ... but you know who you are and the sincerest thanks go out to each one of you. WITHOUT OUR VOLUNTEERS THE FESTIVAL JUST WOULDN'T HAPPEN. Special thanks goes to the members of the Richland Grange for letting us have the festival at their beautiful park and for serving food during the festival. They are a wonderful group of people and we appreciate them a bunch!

We hosted 45 musicians - the most we've ever had in attendance. Many were repeat performers but we were very happy with the number of new musicians. Special guests were Des VanDijk from Amsterdam, Matt Whyntie from Australia and Job Matusow from Utah. For full details on the festival, look for the special festival edition of PLUCK ... it should be mailed to all Guild members sometime after the first of the year.

Job Matusow (his group was formerly known as "Harvey Matusow's Jew's Harp Band") is re-releasing his album of 30 years ago, "The Fats and The Thins" (a very cool Jew's Harp album). Job has graciously offered 50% of the profits from this project to the Jew's Harp Guild. We'll be sure and let everyone know when this unique CD is available ... I'm sure you'll want one for your collection!

Wayland Harman, who has been the festival MC since the beginning, regretfully resigned that position this year. We have very much appreciated Wayland's talents as MC, yet we also realize the job really limits his ability to take part and enjoy the festival as a musician. So, next year we hope to have several people share the job of MC. If you are interested in this, let us know.

We still have Festival T shirts available (in XL, XXL & XXXL only) for $18 each (includes shipping). We will be offering a "Membership Renewal Special" for 2000: Get a year's membership and a '99 Festival T-shirt for $20 (you'll save $8). We'll be sending out a mailing in December with the Membership Renewal Forms and the Ballot for Election of Officers. We encourage you to write or email us if you have any suggestions or questions.

Our website gets better all the time, so check it out at jewsharpguild.org. Webmaster, Mark Poss, is doing a super job there ... his newest "Discussion Group" is generating a lot of interest and unique conversation. Great job, Mark! Well, I think that's all for this time. I wish each one of you a great winter and happy harpin' !!

Yours in music, Janet Gohring - Executive Director The Jew's Harp Guild

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THEM JAW HARPERS
in the "Them Poem" style of Mason Williams. Lyrics: Jules DeGiulio, 9/21/99 with special thanks to Mason Williams

Music & Arrangement: Jules DeGiulio: vocal, jawharp; Tom Sears: guitar; John Head: Harmonica; Larry Mitchel: banjo.
As performed at NAJHF 1999

How 'bout them Jaw Harpers
Ain't they smart
Twangin' them Jaw Harps
With all they heart

Twangin' them Bilyeu's
Pluckin' they Smith's
Flickin' them Gengongs
'Nuff to give their Moma's fits

Them ever Global Jaw Harpers
Creatin' one very fine thing
Sacred Vibrations to the Heavens
With all their twangin'

This festival is wondrous
Down home, even quaint
Jaw Harpers, ever' one of 'em
Is what they is and
Ain't what they ain't

[Full Blues Vamp here, whatever instruments are involved.]

Call it a Jaw Harp
Call it a Trump
Scacciapensieri
Don’t be no chump

Just join with them Jaw Harpers
A’buzzin' they brains
Maybe we all are crazy
Just a wee bit insane

But them ever buzzin' Jaw Harpers
All around the globe
Whether they're playin' Scrugs or Ives
Always feel at home

[Shorter vamp here]

How to be a Jaw Harper
What d’ya do with that thang?
Press it up ag'in yer teeth and
Just give it a twang!


mouthing.jpg (20081 bytes)

Mouthing Off will return next issue!!!

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Email.us

The PLUCK-N-POST and ON-LINE NEWSLETTER need more contributors!

If you have ideas for articles, sketches or pictures, etc. Please query the editor.


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Pictorial Archive Index
Send Us Pics


We are an organization dedicated to preserving the history and art of this, and other, ancient, unique, or culturally significant acoustic instruments.

Towards that end, we are developing a pictorial archive and database of these unique instruments. In the months and years ahead we hope to create the most comprehensive archive of this kind in the world.

We hope you will join us in this effort and send us pictures, audio clips and information of your important finds.
This is the Sixth
of the series we hope to include in every issue of the Online Newsletter. The presentation of this column, and the entire archive, is in a state of construction. Please bear with us.

See the Pictorial Archive database.


Scacciapensiers

Scacciapensier
Gordon Frazier Collection

Scacciapensier
photo by Veronica Poss @ NAJHF 1997

RECORD #


Name:
Year:
Country:
Maker:
Material:
Length:
Width:
Handmade?:
Manufactured?:
Collection:
Comments:



#PA18


Scacciapensier
198?
Italy
Andrea Bugari
Aluminium Frame
x
x
No
Yes
Gordon Frazier
Patent # 48852/A




Scacciapensier
Bill Gohring Collection


photo by Veronica Poss @ NAJHF '97


RECORD #


Name:
Year:
Country:
Maker:
Material:
Length:
Width:
Handmade?:
Manufactured?:
Collection:
Comments:



#PA86


Scacciapensier
1980s
Italy
Andrea Bugari
Aluminium Frame
x
x
No
Yes
Bill Gohring
Patented
.



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Post Your Notes

We encourage everyone to
send us news, questions,
and other contributions!!


The PLUCK-N-POST needs more contributors!

If you have ideas for articles, sketches, or pictures, etc. Please query the editor.

Or use the JHG Feedback form.


NEW CD FROM PHONS BAKX

Phons Bakx of the Netherlands has released a new CD, "Music and the Dispel of Thoughts." 
This full 76 minute CD featurers Phons along with 18 other musicians and a booklet of 24 pages
and photographs.   Price is $22.00, post paid anywhere in the world.


Send Bank Check to:
Phons Bakx
Bellinkstraat 7
4331 GV Middelburg
Nederland / the Netherlands
e-mail: phbakx@wish.net


Virtuoso Jew's Harp

From the JHG Discussion Group
Question:

From: PL162@columbia.edu
Date: 10/7/99
Comments:

Anyone have the address of any company etc where i can buy a virtuoso jew's harp?
--seems there is a company in the states that makes them--no web search so far successful.
any help really is appreciated.

Answer:
From: Bill Gohring
Date: 10/20/99
Comments:

When we were in Austria at the 3rd Int'l Congress last year, Manfred Russman told me that
Franz Bernogger was the maker of the Virtuoso Jew's harp. Mr. Bernogger died in 1997, so
that harp is no longer available (unfortunately). Mr. Bernogger was from Molln, Austria
(where the Congress was held) ... and there are still three other makers who live there.
Sepp Jofen (Horzing) and Franz Wimmer both make harps that are similar in shape to the
Virtuoso and come tuned and are very nice harps. If you can read German, Phonx Bakx's
Pamphlet #4 in the Cahier series contains an extensive interview with Franz Bernogger that
Phons did not long before Franz died. As far as I know, this phamphlet is not available in
English. Hope this helps!

_________________________________

Smith - circa 1934
Don’t forget

to renew your JHG membership
Your dues keep the Guild alive!!

_________________________________

Playing Tips

Protect Your 'Harps - Use small blocks of wood, with notches cut for the 'harp trigger(s), to protect your collection from damage.   Several instruments may be held on a single block. A rubber band is used to secure them.

All Thumbs - Place the thumb of the hand holding the instrument lightly on the back of the reed near the frame. Apply a small amount of pressure here while plucking to adjust the pitch of the 'harp upwards. (WARNING: Damage to the instrument may occur if too much pressure is applied!) The sustain of the sound may be reduced significantly and the quality becomes more percussive.  This is a great way to obtain a different sound, or to push a harp up slightly to tune with other instruments.

________________________________

An Evening With Huun Huur Tu

From: Patchnet@aol.com (JHG member Pat Chappelle, London, via the OddMusic E-mail list (oddmusic.com))

Hi Guy(s),
As part of a very extensive world tour, the Tuvan khoomei (overtone singing) band Huun Huur Tu visited Britain twice - once for a gig in London, and then a two-week residency at the annual arts festival in Edinburgh, with trips to Australia and France sandwiched in between. This was their second visit here - I was lucky enough last time to see them backstage after a sell-out concert in London, where I purchased two khomus (jew's harps) - one from Anatoli Kuular, the band's main khomus player, and another from Micha Maltsev who was travelling with them as their interpreter. This brief meeting made up for having had my video camcorder confiscated during the performance, to be handed back to me at the end with the film wiped (I've a nice film now of the legs of two security personnel as they walked back to their office, the camera swinging by its strap!)

Anyway, my friend Michael Ormiston and I had become friendy with Micha during that visit (aided by copious quantities of wine, beer and, of course, vodka) - Michael, as I've mentioned previously, is the premier exponent of Mongolian-style khoomii singing in Britain, as well as being adept at myriad kinds of strung and blown instruments - so it was natural that on their return to London they opted to stay at Michael's house for their week in London. Michael too them shopping at our more esoteric music stores, and for the Friday night invited my wife Tessa and I, and a few other friends, round for some craic (as the Irish call it - for the uninitiated, that's craic pronounced crack, nothing to do with drugs but everything to do with socializing). Tessa brought her didj, and I my collection of jew's harps. While Michael cooked up some fab food, Anatoli and I checked out each other's instruments - he was very taken with a bamboo one I got from Lark In The Morning, and some others from Zoltan Szilagyi, while I thought that a Vitnamese one, given him by a Frenchman in Lyons, was the best one I've ever played - I've tried contacting that guy but sadly with no reply so far. Then after the meal Anatoli and Alexei Sariglar (the band's percussionist) - the other two band members having crashed out earlier - joined in a jam with Michael, Tessa and myself, playing some traditional tunes from their repertoire, plus some of Michael's own compositions in obscure time signatures including a catchy little number in 23 (!). Michael was playing the saz, a kind of Turkish lute; Alexei played the igil (horse-head fiddle, similar to the Mongolian morin huur), a big drum called a dunggur, as well as various percussion including duyug (horse's hooves) and xapchyk (a rattle made from sheep's kneebones inside a bull's scrotum); as well as khomus, Anatoli played guitar and various instruments called amyrga - these are made from reeds fashioned into long conical shapes, and by sucking them they produce sounds imitating young deer - at least that's the idea, I tried and got birdsong! Simon, who also lives in the house (and is the percussionist in Michael's band) provided extra rhythms while Tessa held the bassline on her (beautiful bloodwood) didg; and I twanged away on jew's harps and clacked away on my clackamore (which was also a hit with Alexei). Alexei, Anatoly and Michael sang khoomei. Particularly wonderful was a version of the traditional song "Kongurei", which I managed to video (and keep!), and which Michael subsequently got them to teach him - he tells me he has now worked up an improvisation around it on the kaen (Chinese mouth organ). We were supposed to leave by 11 pm because Tessa had to work the next day, but before we realized it, it was gone 2 o'clock! The few hours we lost, but the memory of a very magical evening I will always have.

Pat

________________________________

North American Jew's Harp Festival
1997 Highlights CD

The CD features 20 of the best Public Domain, spontaneous music,
or original composition performances of the 1997 festival.
The CD was well accepted at the Molln Congress.

US $12.00 each
Shipping: Domestic US - 1 item US$ 3.00 - Each additional item US$ 1.00
                International -  1 item US$ 5.00 - Each additional item US$ 1.00
               

Send Check or Money Order to:
The Jew's Harp Guild
c/o Ralph Christensen
2239 Fairfield Street
Eureka, CA 95501
USA


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M. D. Poss
editor
Pluck-n-Post
& JHG Online Newsletter

The Throat Singers of Tuva, an article by Theodore C. Levin and Michael E. Edgerton, appeared in September 1999 issue of Scientific American Magazine and may be found online at: http://www.sciam.com/1999/0999issue/0999levin.html

Levin has been conducting musical fieldwork in Central Asia since 1977 and, in 1987, became the first American allowed to study music in Tuva. Edgerton is a musical composer who has performed worldwide and is a postdoctoral fellow at the University of Wisconsin Vocal Function Laboratory. Together they have written a technical article that does much to explain the remarkable singing technique in which a single vocalist produces two distinct tones simultaneously. Commonly called throat-singing in English, the local Tuvan term is khöömeior khoomii, from the Mongolian word for "throat."

Though the Jew's Harp (khomus) is briefly mentioned, the bulk of the article consist of information about the origins of the ancient traditional music of Tuva, (now officially called Tyva) an autonomous republic within Russia on its border with Mongolia. It also relays insights into the harmonic, acoustical and physical properties required to produce the sound. (Including: the source-filter model ,vocal folds, vocal tract, formants) Much of this information is of great interest to the Jew's Harpist. I urge you to visit your local library periodical archives, or the online source (which has many fine links to great graphics, sound files and other pertinent information).


Tuvan throat singer Kongar-Ol Ondar, who performs under the name Ondar, and producer Ralph Leighton, recently appeared on WHYY's FRESH AIR with Terry Gross. Ondar's new CD is called "Back Tuva Future." Ralph Leighton is the associate producer and author of "Tuva or Bust."   Topics covered include: The history of Tuvan throat singers, Ondar's life, introducing Tuvan singing to Americans... more.

[Transcripts are available from Federal Document Clearing House (Tran# 030301np.217 <Date: MARCH 03, 1999>)
Secure order form located at http://www.fdch.com/.    Customer Service department at 800-959-4228.]

The movie Genghis Blues with Ondar and Paul "Earthquake" Pena, is making the rounds in the USA. It's a "must see" for the Jew's Harpist!

Other Ondar links:

Giant Robot interview with Ondar:  http://www.giantrobot.com/issue9/tuva/index.html
Kongar-ool Ondar talks about being Tuvan:    http://feynman.com/tuva/txt/music/kongar_ol.html
Paul Pena talks about learning to sing khoomei:   http://feynman.com/tuva/txt/music/pena.html

Other Tuvan links:

Friends of Tuva website :  http://feynman.com/tuva/

Huun-Huur-Tu's official website: http://huunhuurtu.com/

Khoomei/Overtone Singing Page by musician Steve Sklar:
http://www.tc.umn.edu/nlhome/g057/sklar001/khoomei.html